Basic Atonal Counterpoint

Basic Atonal Counterpoint

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kostka and payne list four procedures as operational in the atonal music of schoenberg all of which may be taken as negative rules avoidance of melodic or harmonic octaves avoidance of traditional pitch collections such as major or minor triads avoidance of more than three successive pitches from the same diatonic scale and use of disjunct melodies avoidance of conjunct melodies kostka